Posts Tagged ‘Second Nature’

Tuesdays with Story

The first word . . .

“One time, while I was at my day job of computer programming, I was working through a conversation two characters were going to have in my story. I mumbled both parts to myself as I walked. When I got to the door, I walked through and held it open for a moment. I realized I was holding it open for the ‘other character’ that I was talking to.”

―Andy Weir, author of The Martian, Artemis, and Hail Mary


Tuesday evening. . .

Nine TWS writers—including newcomer Dan—filled our screens this week for a lively critique session, which included an in-depth discussion on how and why crop fields are plowed, proving that this is a very Wisconsin writers group. Here is some of what was said:

Jaime Nelson Noven (chapter, New York After All) . . . John and Amber want Nathan to have stronger dialogue. Kashmira thought Nathan could have an inkling of memory of Charlie as being some kind of fisherman, and that we should see an example of Charlie’s resistance to letting other people hold her baby. Jack added some new jokes. Bob wondered if there is something else Charlie can notice about Nathan’s hand, other than no wedding ring. And where did that escaped Lifesaver end up anyway? Thanks, all!

Bob Kralapp (“Street Fair” and “Driving to Town”) . . . Larry felt that Street Fair had some interesting images, but lacked context. Jack commented on its conciseness, that it was almost a haiku. In Driving to Town, Jaime felt that there was a problem in not showing what the narrator sees in the field before going into the interpretation of what he sees. Helpful comments, all. Thanks.

John Schneller (chapter 29, Precious Daughter) … Kashmira was hoping to see Nia in this chapter. (Sorry, Kotel needs to keep moving for a chapter or two.) Jack and Larry picked up on a few word clarifications. Jaime noted Kotel used the horse character names before he was privy to that. A short discussion on what words/wording are appropriate for middle-grade readers. The dialogue of Guardian raised questions in some readers but was accepted as a part of his distinctive character. Many good suggestions tonight.

Larry F. Sommers (chapter 1-2, Untitled Memoir) . . . It was unanimous that the new Chapter 2, going from the recon flight to the Freedom Bird flight with memories of the Knox College failure experience, was more effective than the previous Chapter 2, which went back to infancy. More is needed on the return to Kenosha and on Joelle. Jack suggested that “Reconnaissance” could be a title for the whole memoir, not just Ch. 1, and pointed out that movements from one place to another are natural opportunities for flashbacks. Thanks, all, for your insights.

February 15, here’s who’s on deck

Jack Freiburger (poems)

Kashmira Sheth (Journey to Swaraj)

Amit Trivedi (???)

Larry F. Sommers (chapter, Untitled Memoir)

John Schneller (chapter 30, Precious Daughter)

Mike Austin (???)

Our editor

Jaime Nelson Noven is editing the February issues of Writer’s Mail. She’s always looking for good things to include. If you have something, do email it to Jaime.

Happy Pub Week, Amber!

TWS member Amber Boudreau celebrates the publication of her novel Second Nature, which the group helped critique not so long ago. Happy pub week, Amber! Second Nature is now available for purchase from Amazon (https://www.amazon.com/dp/1952919800/), and watch for a bookstore event with Mystery to Me Bookstore this May.

What goes into your Character Bible?

A Character Bible is a tool used by writers to keep their characters straight. It can be an outline of the primary characters in a novel that the author creates before beginning to write, or it can be a place to track details about a character as the story is being written, to prevent continuity errors down the line. So what should be included in your Character Bible?

In an article by The Writing Cooperative (https://writingcooperative.com/why-a-character-bible-might-be-the-key-to-your-character-creation-24650823ae99), they break it down into three sections: SKIN (physical appearance), FLESH (backstory), and CORE (psychology). If you’re missing any one of these three, your character is not well-rounded enough.

In a new interview, #1 New York Times bestselling author Lisa Gardner, who uses repeat protagonists in many of her books, says that she includes in her Character Bibles details of the characters’ lives from the “resting” moments. If she has a detective protagonist, she thinks about who that person is when they’re not working. Family tree. Professional resume. What does their apartment look like? How do they dress? “Sometimes you can go on Pinterest to look at things. I have friends who are big on astrological signs for their characters. I have one writing friend who can define [their characters] by a flavor of Ben & Jerry’s ice cream.”


The last word . . .

“There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as ‘the art.’ I believe this is completely literal. I believe that magic is art, and that art, whether it be writing, music, sculpture, or any other form, is literally magic.”Alan Moore, author of Jerusalem, V for Vendetta, and Watchmen


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