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TWS

September 7th 2021

First word

For me, where genre ends and literature begins doesn’t matter. What matters is whether a given novel hits me with high impact. If it does, it probably is fulfilling the purpose of fiction. It has drawn me into a story world, held me captive, taken me on a journey with characters like none I’ve ever met, revealed truths I’ve somehow always known and insights that rock my brain. It’s filled me with awe, which is to say it’s made me see the familiar in a wholly new way and made the unfamiliar a foundational part of me. It both entertains and matters. It both captures our age and becomes timelessly great. It does all that with the sturdy tools of story and the flair of narrative art.”
― Donald Maass, Writing 21st Century Fiction: High Impact Techniques for Exceptional Storytelling

Here’s who presented Tuesday evening

Jaime Nelson Noven (part 2, New York, After All) – Jaime (New York, After All chapter) This week, we talked about New York as a character, conveying Charlie’s affection for the baby in a way that’s less detached than the rest of the narrative, leaning in to the imagined future history of New York, and the logistics of having a baby without warning (Is the baby early? Did Charlie miss the signals?). Great recommendations surrounding incorporating the river into the Ohio-Kentucky civil war and using bus ads to add to the metaphor. Thanks, everyone!

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